![]() Some common chords to learn include fmaj7, cadd9, dsus4, dsus2, cmaj7, and emaj7. One important aspect of guitar playing is understanding chords and how to use them to create melodies and progressions. Whether you're a beginner just starting out or a seasoned player looking to expand your skills, there's always something new to learn. This dexterity exercise uses your hands together to play each fretting finger across four frets to ascend and descend the strings across the neck.When it comes to playing the guitar, there are so many different techniques and styles to explore. Indeed, you may want to start with these more difficult ones and move backwards toward the easier ones.įinally, I recommend closing with a straightforward synchronization exercise that is fairly common, but is important to do it correctly and do it consistently. ![]() Additionally, feel free to focus on the sections that give you the most trouble - e.g., many guitarists need extra work holding the position with their second or third fingers and performing hammer-ons and pull-offs with their third and fourth fingers. Once you can comfortably maintain these exercises for a period of 15 seconds, feel free to increase the times for each exercise to 20 seconds. Throughout these sets of exercises, your second finger should be held at the sixth fret on the third string.įrom there, hold your third finger at the seventh fret, and hammer on and pull off your fourth finger at the eighth fret for 15 seconds. Then, without stopping, follow this with a similar 15 seconds of hammer-ons and pull-offs of your fourth finger at the eighth fret. Without stopping, place and hold your second finger down at the sixth fret on the third string and hammer on and pull off your third finger one fret up at the seventh fret for 15 seconds. Throughout these sets of exercises, your first finger should be held at the fifth fret on the third string. ![]() ![]() Without stopping, follow this with a similar 15-second set of hammer-ons and pull-offs using your fourth (pinky) finger at the eighth fret. Do this over and over for 15 seconds.Īfter 15 seconds, without stopping, perform similar hammer-ons and pull-offs with your third (ring) finger one fret up (at the seventh fret) for 15 seconds. Then hammer on your second (middle) finger one fret up as hard as you can (at the sixth fret on the third string) and immediately pull it off as hard as you can. Take your first (index) finger on your fretting hand and hold it at the fifth fret on the third string. Once again, it is advisable stretch your hands, wrists and arms before beginning these exercises. If done correctly, you will really feel this exercise in your fretting hand, wrist and forearm. They involve a series of hammer-ons and pull-offs performed as hard and fast as you can maintain for 15 seconds at a time. These exercises require no picking at all, and are purely legato. The next step is a set of legato exercises in which you are utilizing all of the finger combinations in a few groups. Taking an honest approach to this exercise can truly develop your picking hand technique. It may take time (weeks or months) to move up the speed, but give yourself that time. Move the metronome speed up as higher speeds become comfortable to you for the full three minutes. I advise students to start slow with the alternate picking portion to ensure their upstrokes are highly similar to their downstrokes in dynamic and attack, allowing your alternate picking to sound as identical as possible to your repeated downstrokes. The alternate-picked section of this exercise initially should be done at the same speed as your downstrokes, which may seem slow to you at first. Sure, there are higher speeds that may be comfortable for a matter of 20 seconds, but you should stick to the speed where you can “lock in," that you can comfortably maintain for the full three minutes, and use that speed with this exercise each day. Don't let your ego interfere with your practice routine. It is important to be honest with yourself about what speed is comfortable for the full three minutes, and resist any urges to rush on to a higher speed you cannot maintain.Īnd remember there is no reason to feel bad about starting with what may seem like a slow speed. Just remember: Using a metronome is not a contest. While it seems simple, this exercise can be conceptually difficult in that it often tries the patience of guitarists eager to move on to faster speeds.
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